alb3600524

Nyoirin Kannon

Nyoirin Kannon. Culture: Japan. Dimensions: H. 16 9/16 in. (42.1 cm); W. 12 1/8 in. (30.8 cm); D. 10 1/4 in. (26 cm). Date: dated 1693.
The bodhisattva Kannon (Sanskrit: Avalokiteshvara) manifests in many forms, each of which demonstrates aspects of his compassion and salvific vows. This small sculpture shows the bodhisattva in an Esoteric Buddhist form called Nyoirin, indicating the attributes most commonly held in his hands, the wish-fulfilling jewel (nyoi) and the wheel (rin) of the Dharma, or Buddhist teachings. While many images of the bodhisattva have six arms, this sculpture has two. An inscription carved into the base indicates that it was a votive offering to a temple given in the fifth month of 1693. As the names of the donors indicate that they were women, it is possible that the sculpture was dedicated on the occasion of a monthly ritual popular in the Edo period called the jukuya-ko, an assembly of female Buddhists that took place on the nineteenth of the month for health and the safe delivery of children. Many stone relief stelae depicting a two-armed form of the bodhisattva dedicated on the day of this rite remain from the Edo period. Records indicate that a parallel assembly dedicated to a Shinto deity was also prevalent at the time.
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Title:
Nyoirin Kannon
Caption:
Nyoirin Kannon. Culture: Japan. Dimensions: H. 16 9/16 in. (42.1 cm); W. 12 1/8 in. (30.8 cm); D. 10 1/4 in. (26 cm). Date: dated 1693. The bodhisattva Kannon (Sanskrit: Avalokiteshvara) manifests in many forms, each of which demonstrates aspects of his compassion and salvific vows. This small sculpture shows the bodhisattva in an Esoteric Buddhist form called Nyoirin, indicating the attributes most commonly held in his hands, the wish-fulfilling jewel (nyoi) and the wheel (rin) of the Dharma, or Buddhist teachings. While many images of the bodhisattva have six arms, this sculpture has two. An inscription carved into the base indicates that it was a votive offering to a temple given in the fifth month of 1693. As the names of the donors indicate that they were women, it is possible that the sculpture was dedicated on the occasion of a monthly ritual popular in the Edo period called the jukuya-ko, an assembly of female Buddhists that took place on the nineteenth of the month for health and the safe delivery of children. Many stone relief stelae depicting a two-armed form of the bodhisattva dedicated on the day of this rite remain from the Edo period. Records indicate that a parallel assembly dedicated to a Shinto deity was also prevalent at the time.
Technique/material:
Wood with gold, gold leaf, lacquer, and crystal inlay
Period:
Edo period (1615-1868)
Museum:
Metropolitan Museum of Art, New York, USA
Credit:
Album / Metropolitan Museum of Art, NY
Releases:
Model: No - Property: No
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Image size:
3549 x 4053 px | 41.2 MB
Print size:
30.0 x 34.3 cm | 11.8 x 13.5 in (300 dpi)