Powerful Void: Inside the Art of Lee Bontecou

Emily Pothast
Form and Resonance
Published in
12 min readMar 31, 2021

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In many ways, her work prefigures the contemporary preoccupation with the anthropocene

Lee Bontecou, “Untitled” (1961). Welded steel, canvas, black fabric, rawhide, copper wire and soot.

When I was a teenager, I saw this piece at MoMA for the first time and it took my breath away. At the time, I was doing some welding and had this idea to stretch fabric inside planes created by a metal armature. When I saw that Lee Bontecou had already done it, I knew two things. First, I knew I…

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Emily Pothast
Form and Resonance

Artist and historian. PhD student researching religion, material culture, media, and politics. emilypothast.com